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Reflection

Merriam Webster has the following (and more) entries for the word REFLECTION:

1: an instance of reflecting especiallythe return of light or sound waves from a surface

2: the production of an image by or as if by a mirror

3a: the action of bending or folding back b: reflected part FOLD

4: something produced by reflecting: such as a: an image given back by a reflecting surface b: an effect produced by an influencethe high crime rate is a reflection of our violent society

5: an often obscure or indirect criticism REPROACHreflection on his character

6: a thought, idea, or opinion formed or a remark made as a result of meditation

7: consideration of some subject matter, idea, or purpose

I’m quite literally gazing at the reflection of the trees on the water, here at the end of this “long weekend” associated with Labor Day. Usually at this point in the year, I feel wrung out; 3+months of long days, epic performances, and a lot of professional extroverting will do that. And this also is the time when audition applications are pouring in and we’re screening hundreds of packets of paperwork and videos to see who we’ll make time to hear on our fall audition tour.

This year is markedly different.

There will be no audition tour.

The season was only Opera, featured no live performances, and was a mere six weeks long. Piece of cake, right? Well, not really.

The stresses resulted from trying to safely gather and make collaborative art during a pandemic. And we did! We had 40+ artists join us in Virginia. We fielded almost 800 hours of vocal coachings and language coachings and staging rehearsals and colleague auditions, and captured livestreamed performances and masterclasses.

And we did it without anyone getting sick. (HALLELU!)

But it came with a cost. The plans we made were extensive, and constantly changing to adapt to the most recent health department data. My workplace was able to generously support our program – while the cost was a fraction of our usual operation, it still was a significant amount of capital – but my staff was furloughed after the artists went home. And the stress of the last months? Well, let’s say that it puts the highest “stress” moments of my career thus far in the kiddie pool…this was some deep water we navigated this summer.

When I was in college, I dreamed of running my own opera company: this position has in many ways been a dream come true… however, I didn’t really think that my first true season would look anything like this one. (Careful what you wish for?) I’m so proud of what we accomplished, for it was truly a collaborative effort. At the same time, I’m mourning the art that wasn’t created, the creators and artists who have been silenced through stress, poverty, bigotry and racism, lack of opportunity, and this raging pandemic.

But I’m also thinking about the work I have to do on myself: now is the time to start digging into ways to create new helpful habits, to become a better leader and manager, to become more consistent in my art and exercise practices. (If anyone else needs an accountability buddy, or has a resource that has been effective in your life? Drop me a line in the comments!)

Tomorrow is back to work, even if the work looks and feels very different. I hope, wherever and whatever you’re doing tomorrow, that it feeds your soul and your bank account in equal measure.

Old dog, meet new trick

I’ve been playing with a new microphone, and doing a lot of reading and thinking (read: navel-gazing). This past week was a tough one for singery folk, and I had some thoughts, but wanted to share them in a new way.

 

Hoping today is a good day for each of you, friends.

In the bardo

My family moved every 4 years or so when I was a kid. We’d move into a new house, and spend years fixing it up over summer break and winter holiday. (I say “we” inclusively – my Dad was super handy, and my mother has always had a strong eye for design and a sense of adventure in color and pattern. My brother and I tried to stay out of the way/not step on loose nails or splinters, with varying degrees of success.) Many of the moves were within our school district; both Mom and Dad were teachers, and they understood the importance and impact of a school community.

We made one big move, when I was a high-school freshman, from the tiny valley community we lived in, in the nook of the Chemung and Susquehanna Rivers; to a western Pennsylvania college town north of Pittsburgh. We moved on April 1, 1988; when my pals tried to convince me that it was an April Fool’s joke, I flatly responded that everything my family owned was in boxes; we were going somewhere I was sure.

There was a specific phenomenon that happened with regularity around each move. Once it became public knowledge that we were moving – out of the neighborhood, out of the school district, out of the area – there was always someone who stepped forward, stepped into my life in a different way. It was a different person in each instance, and to my great embarrassment I’ve lost some of their names. But what I can remember is this:

  • They were not close friends prior to the move, nor was the friendship a defining point of my life post-move. It was largely a transitional, time-limited phenomenon.
  • They were quietly kind, allowing me to talk when I needed to, but as happy to distract or entertain.
  • They were present; phone calls (occasionally…this was not the era of multiple phone lines or cell phones), walks around the neighborhood, letters.

The extension of this person’s time and attention, this gift, almost always happened on the leaving edge, rather than the receiving edge. Once I arrived at the new school/neighborhood, I was more actively trying to figure out the social dynamics, as well as the new ‘me’ that I planned to be therein. But pre-move, when time was finite yet strangely elastic? That was the time that these small, potent friendships blossomed.  I’m not sure that the person wasn’t still there or available to me post-move, or that I wasn’t interested in that relationship, but I might guess that we were both better served by each other in that limbo, and that when time righted itself we didn’t need each other quite so much.

I’m finding parallels to this process in our current, Covidian world. In this new stillness, this new contemplative state that we’ve been forced into, I have found several people quietly stepping into frame…to share something silly, to offer congratulations and condolences, to offer their time and attention as I stammer through something I find difficult to verbalize.

It has been a joy.

I’m grateful for these unforced, spontaneous, caring conversations which have happened by post and social media and Zoom and FaceTime. I’m grateful for these unknowing guides, and their help through this transitory state…and I’m happy to return this favor.

 

Changing Course

Hi friends,

I’m finding myself wanting to write, to process what’s happening in the world through words. And, being completely honest, talking about career changes at the current moment feels a little tone deaf when so many are unable to work at all. But I am missing our community, as it once was…and though I’m an introvert, I’m still craving connection.

(Tangent: I listened to this podcast, and one point was the difference between solitude and loneliness. We’re lucky in English to have two words for these related but different feelings: the author’s latest novel, The Art of Solitude, is being translated into German, where the word Einsamkeit encompasses both concepts. The reworked German title is Die Kunst mit zie selbst allein zu sein. The Art of Being Alone With Oneself. I love that.)

So I’m going to try to publish a few little pieces here, about the struggles I’m feeling and the unexpected bright lights. I’m reading like crazy – about habit-building (my favorite topic, though one that has grown quite rusty over the last 18 months), about the attention economy, and the political attributes of rest, so there’ll likely be some of that thrown in, too.

If you are reading something that has a new context in these Covidian times, please point it out. Looking forward to reconnecting with you.

 

 

Remember me?

Well, it’s been quite a long time since I’ve written here! I won’t make excuses for my absence except to say that life has happened, and my writing took a backseat.

But that won’t be for much longer.

I’ve had a number of conversations over the last few weeks about the state of the operatic field. How do we prepare singers to enter the field? How do we define a successful career? How do we support singers as they transition from performing into other fields?

I’m afraid that there still is a lot of shame around leaving the stage; I need both hands to count the number of conversations I’ve had under the aegis of secrecy with singers who are considering leaving the field but are not sure how, or whether it’s the right time, and are paralyzed by the double whammy of losing a professional identity AND having to forge a new one almost immediately.

If you are a singer/performer? Let me peer into my crystal ball and tell your future:

You’re going to be FINE.

In fact, you’re going to be able to find a career path that allows you to have those things that you’re not getting from singing, and that allows you the very same activities/feelings that singing feeds for you.

I promise.

In this space in the coming months I’ll be sharing stories of folks who began their college studies as singers, actors, dancers, and now have fulfilling careers offstage. Some had capital-C careers, some made the switch while studying. Some are still performing as their desires and schedules allow, some have found new creative outlets: all of them credit their training and performance education in helping them find their path into a gratifying career.

As a bit of a review, please click over here to read some past profiles. (Caveat: some of these folks have moved tracks yet again and are doing new and awesome things. I’ll round up some updates for you in a few months.)

And as always, if you are game to be profiled, or know someone who has an interesting or helpful story to share, you can email me at indirectroutes@gmail.com

 

Reboot

Y’all. I’ve missed you! Our summer season has been amazingly rewarding, but has also been incredibly dense with performances, events, and wonderful people.

As it winds down, however, I find that I’ve missed this space, and the opportunity to talk about career shifts and renewed purpose, and searching for that elusive thing – meaningful work. So I’m happily diving back into the fray.

If you started your collegiate education in the fine or performing arts and have transitioned into another field, I’d love to talk to you. (And if you know someone who has an interesting story, please pass this link on!)

If you have questions about making the switch, let me know – I’ll investigate!

In the meantime, here’s a great profile from careershifters.org about Lori Richmond, who made the transition from web design back to her fine-art roots, and is now a sought-after children’s book author and illustrator.

I’m planning to circle back to some of our archived conversations, and catch up with their new pathways, and to offer some resources for exploration.

More coming soon – promise!

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State of the Arts

I’ve been writing a little bit on my personal blog, and had to respond to two performing arts-related articles I’ve recently stumbled upon.

My question for you is; what would your ideal arts experience look/sound/feel/smell like? Has it changed over the years, and how?

(Let’s be real. I have many more questions. But let’s start there.)

 

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A return… of sorts. 

Y’all, it has been a WEEK. 

The World Series. 

Leonard Cohen. 

The Election. 

It feels a little bit like the world has missed that left turn in Albuquerque, to quote Bugs Bunny. So much to process, on so many different levels. I really have no words, mostly because there are still so many in my head, there’s so much that I don’t know, and those things that I do I’m struggling to interpret in a way that makes sense. 

In an effort to reframe this new world order into something that I can wrap my mind around, I’m taking a step back. I’m going to start posting here, on a daily basis, for 30 days. And the things that I post will be things I find beautiful, inspirational, thoughtful. 

I would love to hear from you, too. Share with me those things that inspire you, that make you laugh, that soothe your souls. You can email me at indirectroutes at gmail, or message me through the book of Face. 

Let’s start, shall we?

11.11.16

  • It’s Veterans Day, formerly Armistice Day.  As a new military auntie, today feels a little more personal than in years past. Here’s the poem that John McCrae wrote to commemorate the day. What would we do without poets to make sense of the world for us?
  • Relatedly, I’m so grateful for this poet’s canon. Taking huge comfort in his legacy today. 
  • A meditation from Brain Pickings, author Rebecca Solnit’s parsing of what hope is and isn’t.
  • A first step to personal growth and creativity. Lace up!
  • I’m reading this book, and it’s rocking my world.
  • Wait But Why has masquerading rabbits. Tricksy tricksy bunnies…

More tomorrow. 

Circles

doodle

This blog started as a way for me to parse out the reasons that I decided to leave performing behind, and the skills/knowledge/sensibilities that allowed me to transfer fairly easily from one milleu to the next.

I have a confession though.

I’ve been art-ing.

Actually, I don’t have quite enough self-confidence to call it ‘art,’ not yet anyway. I have friends who have made their lives and livelihoods from their paintbrushes, and I can say unequivocably that I have not their skill nor innate talent nor experience.  Having trained as a musician, I realize the countless hours that it takes to master something. (Hell, I started playing piano at age 3, got 2 degrees in music, taught and performed for nearly a decade and I still wouldn’t EVER claim to have mastered music-ing.)

But over the last several months, I’ve noticed something: that I’m happiest when I’m making stuff. And the ‘what’ that I’m making is almost irrelevant: could be an intricate doodle in the margin of a page of notebook paper, could be an unholy mess in the kitchen as a result of a dinner adventure, could be a recorded cover of a song I dig. As long as I have something to show for the time at the end of the day, it seems time well-spent. I bought myself a pad of paper and some markers this winter…and then got some watercolor papers and paints…and then bought some big 18×24 paper and compass. And I started filling up those pages.

And it feels good.

It feels good to start something, not having the foggiest idea of how it will turn out. Sometimes the end result is more awesome than anything I thought I could do! Sometimes it’s a hot mess. But every time I noodle around, I’m learning something – about the materials, about these very basic techniques and aesthetics I’m developing.

This new-found artistic discipline is also helping me to tap into some of the things that I loved about music, but have little occasion to practice in my daily life. Solitude. Slowing down to examine the things around me.  Working on a piece, but being able to put it away for an undetermined period of time without penalty. I also get to be the last word, if only because no one else is in my head…it’s a small thing, but something that I find that I missed from teaching.

Maybe more importantly, however, this little doodling project has opened up some wonderful doors for me. I spent a day at the Art Institute of Chicago and walked out so wonderfully overwhelmed, with such a thirst to spend more time around amazing art of all types. A good friend gave me Liz Gilbert’s new book Big Magic, and there were several points that I found both immediately applicable and really helpful. Another pal asked me to doodle for her soon-to-be-born daughter, and posted a little clip on her youtube channel. (it’s in the first minute or so.)  I’m more courageous in my artistic pursuits – in fact, I’m diving back into the NaNoWriMo pond this November because I think I might actually have figured out what the larger problem with the novel I wrote back in 2012 was, and Imma Finish That Story Dammit.

So here’s a question for you: how are you cross-pollinating your non-artistic life?

(If you’re interested, my doodling can be found on my instagram account, and on a very small etsy store.)

Busyness, attention, and deep meaning.

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I have a new weekly habit. Since my knees have forced me to give up jogging, I’ve spent the past few weekends logging 12-16 miles on my feet, but at a slower pace. It allows me to pay attention to the beautiful flowering of my little neighborhood, and to become reacquainted with the few miles around my house. I often find myself not quite ready to head home, because the best part of this new habit isn’t actually the walking, it’s the podcast On Being. Krista Tippett interviews engineers, philosophers and artists each week, to ask them the big, cosmic questions and by doing so teases out both heartbreakingly personal stories and universal motifs. As a lapsed Catholic, this serves in many ways as my church: the intellectual inquiry of deeply held beliefs, pressure points, difficulties and small triumphs. I find inspiration, solace, and millions of questions at the end of each episode.

Screen Shot 2015-05-17 at 9.21.07 PMThe most recent episode featured Maria Popova from Brain Pickings, another of my weekly pleasures. I’ve listened to it twice now, and only half-kiddingly considered tattooing the transcribed interview on my back, so that the words could actually become part of my being. Maria talks at length about how we desire deep knowledge, but are resistant to devoting the time that it takes to actually acquire that knowledge. We expect it to come easily, or we make our decision based on listicles and infographics. (The most popular/most expensive/most desired wins.) I’m totally at fault – I love a good infographic, but in line with Popova’s thought, it’s because it gives me just enough context to feel like I actually know more about situation than I actually do. She reads and writes all day, and I am delighted by the things she finds in the journals (not diaries. Journals.) of Thoreau, the writings of Seneca, books for children and books about time. Krista Tippett, too, endlessly discusses presence and attention; both in the mundanity of the everyday, and in those times of stress and transformation.

I struggle with wanting to take the easy answer. I admire those who do not. Why, then, do I not always strive for deeper meaning? I wonder if this inattention, this resistance to digging in and doing the work, pervasive? Are we all dilettantes, looking for the easiest answer to the problem? Or is it just me?

Rehearsal for the summer season starts tomorrow morning. So the timing of this desire for attention, presence, and thoughtfulness is not coincidental. I am, however, very much looking forward to spending another summer with people who have dedicated their lives to the pursuit of deep knowledge.   Screen Shot 2015-05-16 at 8.13.29 PM

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